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Archive of expanded stage

This archive of expanded stage is born with the desire to collect those pieces that throughout history have “expanded” theatricality beyond the temporal-spatial coexistence between those who act and those who observe, through technological mediation to promote immersion or interaction and also telepresence.

Through this form you can participate in this project by informing us of expanded theatre pieces that are not currently in the archive: https://forms.gle/GMfL8yLRQxv3Aczx6

  • theatricality
  • mediatized theatre
  • immersion
  • transpandemic stage
  • interaction
  • site-specific
  • dramaturgy of sound
  • telepresence
  • installation
  • intermedial
  • distributed space
  • virtual
  • performance
  • virtual reality
  • theatre
  • amplified
  • dance
  • augmented reality
  • transmedia
  • autotheater
  • performativity

Good Morning (Mr. Orwell, Nam June Paik, 1984)

Placeholder (Brenda Laurel y Rachel Strickland, 1993)

Archeology Of A Mother Tongue (Toni Dove y Michael Mackenzie, 1993)

Epizoo (Marcel·Lí Antúnez Roca, 1994)

The Ethno-Cyberpunk Trading Post & Curio Shop On The Electronic Frontier (Guillermo Gómez-Peña, 1994)

Osmose (Char Davies, 1995)

Rara Avis (Eduardo Kac., 1996)

Landscape One (Luc Courchesne, 1997)

Artifical Changelings (Toni Dove, 1998)

Desert Rain (Blast Theory, 1999)

Obs (La Fura dels Baus, 2000)

Situation Rooms (Rimini Protokoll, 2011)

Numax-Fagor-Plus (Roger Bernat, 2014)

La Bibliotèque, La Nuit (Robert Lepage / Ex Machina, 2015)

Crudo ingente (Sara Serrano y Pedro Guirao, 2015)

Elements of Oz (The Builders Association, 2016)

Hamlet Kebab (Rodrigo García, 2016)

Die Parallelwelt (Kay Voges y Alexander Kerlin, 2018)

User Not Found: Social Media As Immersive Performance (Daphna Attias, Terry O'Donovan & Chris Goode / Dante or Die, 2018)

Macho Man (Álex Rigola/Heartbreak Hotel, 2018)

Sal de la pantalla y bésame (Ramón Gázquez y Cristian Alcaraz / Spam. Please. Enter, 2019)

Le Grand Tour (Onírica Mecánica, 2019)

Aqua Alta (Adrien M y Claire B, 2019)

Archivo (Serrucho, 2019)

Draw Me Close (Jordan Tannahill, 2019)

Ronem Ram y Ronem Ram.0 (Onírica Mecánica, 2020)

Estación espacial (Àlex Peña, 2020)

Lag: a zoomsical comedy (Haddon Kime, 2020)

Visita guiada a una sesión BDSM nº26 (Manuel Bonillo, 2020)

Post_Panoptikon (Stroke112, 2020)

Los justos (Juan Ayala, 2020)

Quijotes y sanchos (Los Números Imaginarios, 2020)

Complete works: table top Shakespeare: at home (Tim Etchels / Forced Entertainment, 2020)

La lámpara maravillosa (Grumelot, 2020)

Muerde (Francisco Lumerman, 2020)

Audioguía para supermercados en tiempos de pandemia (Cabosanroque, 2020)

Performance for one (Edward Einhorn / Untitled Theater Company #61, 2020)

Tras los pasos de Augusto Madeira Mendes (Los Bárbaros, 2020)

La maldición de la corona (La Fura Dels Baus, 2020)

La tortuga (Marcelo Allasino, 2020)

Die Methode (Antje Thoms a partir de Juli Zeh, dir. Erich Sidler, 2020)

The Walks (Rimini Protokoll, 2021)

Dream (Sarah Ellis, 2021)

Titiriscopio (Arawake, 2021)

The Quiet Volume (Ant Hampton and Tom Etchells, 2010)

Embodied In Varios Darmstadt’ 58 (Translab, Kónic Thtr and Poéticas Tecnológicas, 2013)

De eso te tenía que hablar (Bineural-Monokultur, 2020)

Lo expandido, el arte y el teatro (Verónica García, 2022)

Utopía – Interactive Experience for Libraries (Bineural Monokultur, 2018)

Futuro es hoy (Cooltoretas, 2023)

Ibiza (Cooltoretas, 2017)

Abyssalis (Patricia Peñalver, 2022)

Le Bal de Paris (Blanca Li, 2021)

Unheimlich (The Chameleons Group, 2005)

Hungry@corpos (Corpos Informáticos Research Group, 2000)

Progressive 2 (Richard Lord, 1996)

Olympus Kids (Agrupación Señor Serrano, 2021)

Historias dentro de casa (José Pascual Abellán, 2020)

Cuerpos celestiales (El Conde de Torrefiel and Cabosanroque, 2023)

Etiquette (Ant Hampton and Silvia Mercuriali (Rototaza), 2007)

Telematic Dreaming (Paul Sermon, 1992)

Lovers (Dumb Type, 1994)

Prometheus Bound (Meiro Koizumi, 2019)

Spell Of Freedom Hypno-Experiment (Meiro Koizumi, 2021)

Sacrifice (Meiro Koizumi, 2018)

The World In 24 Hours (Robert Adrian, 1982)

The Tempest (Creation Theatre, 2020)

Alice In The Pandemic (Jorge Sosa and Elena Araoz, 2020)

Hitsudankai (From Now/Here, Silence) (Orangcosong, 2017)

Cosmogony (Gilles Jobin, 2021)

Deus Ex Maquina (Teatro Ojo, 2018)

The Living Web (Christa Sommerer, Laurent Mignonneau and Roberto Lopez_Gulliver, 2002)

What Are The Things I Need To Remember (Lynn Nottage, 2020)

In Love And Warcraft (A.C.T., 2020)

Incidental Moments Of The Day, An Apple Family Play (Richard Nelson, 2020)

A Day (The Cherry, 2020)

Dramawalker Sevilla (Alberto Cortés, David Montero, Alez Peña, Rosa Montero and Ana Sánchez Acevedo, 2023)

Dramawalker Cañada Real (Jorge Aznar Canet, Alberto Conejero, Roberto Martín Maiztegui, Cristina Rojas and María Velasco, 2021)

Dramawalker Logroño, al otro lado del Ebro (Martín Nalda, Elvira Valgañón, Ángela Palacios, El Patio Teatro, L’haine, Claudio Montana, Diego Piqueras and Nacho Ugarte, 2021)

Dramawalker Poblenou (Roc Esquius, Sílvia Navarro, Oriol Puig, Mercè Sarrias and Joan Yago, 2021)

Dramawalker Vite (Roc Esquius, Sílvia Navarro, Oriol Puig, Mercè Sarrias and Joan Yago, 2021)

Dramawalker Lavapiés (Denise Despeyroux, María Goiricelaya Burón, Roberto Marín Maiztegui, Aurora Parrilla Camacho and Adrián Perea, 2022)

State vs. Natasha Banina (Arlekin Players Theatre, 2020)

This Is How I Am (Amir Nizar Zuabi, 2020)

Baby Jessica’s Well-made Play (Walkup Arts, 2018)

Promet(z)eus (Carles Sora and Montse Figueras, 2004)

M.U.R.S (La Fure dels Baus, 2014)

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