Archive of expanded theatre – bio-drama

Archive of expanded theatre

This archive of expanded theater is born with the desire to collect those pieces that throughout history have “expanded” theatricality beyond the temporal-spatial coexistence between those who act and those who observe, through technological mediation to promote immersion or interaction and also telepresence.

Good Morning (Mr. Orwell, Nam June Paik, 1984)

Placeholder (Brenda Laurel y Rachel Strickland, 1993)

Archeology Of A Mother Tongue (Toni Dove y Michael Mackenzie, 1993)

Epizoo (Marcel·Lí Antúnez Roca, 1994)

The Ethno-Cyberpunk Trading Post & Curio Shop On The Electronic Frontier (Guillermo Gómez-Peña, 1994)

Osmose (Char Davies, 1995)

Rara Avis (Eduardo Kac., 1996)

Landscape One (Luc Courchesne, 1997)

Artifical Changelings (Toni Dove, 1998)

Desert Rain (Blast Theory, 1999)

Obs (La Fura dels Baus, 2000)

Situation Rooms (Rimini Protokoll, 2011)

Numax-Fagor-Plus (Roger Bernat, 2014)

La Bibliotèque, La Nuit (Robert Lepage / Ex Machina, 2015)

Crudo ingente (Sara Serrano y Pedro Guirao, 2015)

Elements of Oz (The Builders Association, 2016)

Hamlet Kebab (Rodrigo García, 2016)

Die Parallelwelt (Kay Voges y Alexander Kerlin, 2018)

User Not Found: Social Media As Immersive Performance (Daphna Attias, Terry O'Donovan & Chris Goode / Dante or Die, 2018)

Macho Man (Álex Rigola/Heartbreak Hotel, 2018)

Sal de la pantalla y bésame (Ramón Gázquez y Cristian Alcaraz / Spam. Please. Enter, 2019)

Le Grand Tour (Onírica Mecánica, 2019)

Aqua Alta (Adrien M y Claire B, 2019)

Archivo (Serrucho, 2019)

Draw Me Close (Jordan Tannahill, 2019)

Ronem Ram y Ronem Ram.0 (Onírica Mecánica, 2020)

Estación espacial (Àlex Peña, 2020)

Lag: a zoomsical comedy (Haddon Kime, 2020)

Visita guiada a una sesión BDSM nº26 (Manuel Bonillo, 2020)

Post_Panoptikon (Stroke112, 2020)

Los justos (Juan Ayala, 2020)

Quijotes y sanchos (Los Números Imaginarios, 2020)

Complete works: table top Shakespeare: at home (Tim Etchels / Forced Entertainment, 2020)

La lámpara maravillosa (Grumelot, 2020)

Muerde (Francisco Lumerman, 2020)

Audioguía para supermercados en tiempos de pandemia (Cabosanroque, 2020)

Performance for one (Edward Einhorn / Untitled Theater Company #61, 2020)

Tras los pasos de Augusto Madeira Mendes (Los Bárbaros, 2020)

La maldición de la corona (La Fura Dels Baus, 2020)

La tortuga (Marcelo Allasino, 2020)

Die Methode (Antje Thoms a partir de Juli Zeh, dir. Erich Sidler, 2020)

The Walks (Rimini Protokoll, 2021)

Dream (Sarah Ellis, 2021)

Titiriscopio (Arawake, 2021)

The Quiet Volume (Ant Hampton and Tom Etchells, 2010)

Embodied In Varios Darmstadt’ 58 (Translab, Kónic Thtr and Poéticas Tecnológicas, 2013)

De eso te tenía que hablar (Bineural-Monokultur, 2020)

Lo expandido, el arte y el teatro (Verónica García, 2022)

Utopía – Interactive Experience for Libraries (Bineural Monokultur, 2018)

Futuro es hoy (Cooltoretas, 2023)

Ibiza (Cooltoretas, 2017)

Abyssalis (Patricia Peñalver, 2022)

Le Bal de Paris (Blanca Li, 2021)

Unheimlich (The Chameleons Group, 2005)

Hungry@corpos (Corpos Informáticos Research Group, 2000)

Progressive 2 (Richard Lord, 1996)

Olympus Kids (Agrupación Señor Serrano, 2021)

Historias dentro de casa (José Pascual Abellán, 2020)

Cuerpos celestiales (El Conde de Torrefiel and Cabosanroque, 2023)

Etiquette (Ant Hampton and Silvia Mercuriali (Rototaza), 2007)

Telematic Dreaming (Paul Sermon, 1992)

Lovers (Dumb Type, 1994)